
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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生化危机:爆发夜
奥斯汀·艾布拉姆斯 , 保罗·沃尔特·豪泽 , 扎克·切利 , 卡莉·瑞斯 , 约翰诺·威尔逊
奥斯汀·艾布拉姆斯 , 保罗·沃尔特·豪泽 , 扎克·切利 , 卡莉·瑞斯 , 约翰诺·威尔逊
2026/美国
/英语

异种侵袭
Emi Curia , Bryan Eubank , Lucas Hart
Emi Curia , Bryan Eubank , Lucas Hart
2026/美国
/英语

女族长
查莉·布莱克伍德,朱莉·汉南,斯科特·维克斯,艾伦·库斯伯特,碧翁尼·梦露,托伦·弗格森,马丁·墨菲,Kris McDowall,Cameron Fulton,David Friel,Anne Kane Howie,Andrew Kelly,Alex Martin
查莉·布莱克伍德,朱莉·汉南,斯科特·维克斯,艾伦·库斯伯特,碧翁尼·梦露,托伦·弗格森,马丁·墨菲,Kris McDowall,Cameron Fulton,David Friel,Anne Kane Howie,Andrew Kelly,Alex Martin
2018/英国
/英语

狙踪前度
AJ Bowen,乔·斯万博格,Amy Seimetz,Brandon Carroll
AJ Bowen,乔·斯万博格,Amy Seimetz,Brandon Carroll
2011/美国
/英语

堕落人鱼
Eryn Rea,Drew Moore,Burt Culver,Jessica Honor Carleton,Cara Bamford,安珀·加斯顿,E. Shepherd Stevenson,Michelle Gallagher,Ashley Cordelia,Caroline Dunaway,Megan Therese Rippey,Alexandra Bokova,Melissa Lugo,Shani Drake,Meggan Kaiser
Eryn Rea,Drew Moore,Burt Culver,Jessica Honor Carleton,Cara Bamford,安珀·加斯顿,E. Shepherd Stevenson,Michelle Gallagher,Ashley Cordelia,Caroline Dunaway,Megan Therese Rippey,Alexandra Bokova,Melissa Lugo,Shani Drake,Meggan Kaiser
2019/美国
/英语

太空群落
阮圣文,伍姣,夏望
阮圣文,伍姣,夏望
2021/大陆
/国语

魔术的耳语
木村佳乃,中村蒼,大杉漣,小池栄子,谷村美月,松重豊,加藤治子,原田美枝子,奥田瑛二
木村佳乃,中村蒼,大杉漣,小池栄子,谷村美月,松重豊,加藤治子,原田美枝子,奥田瑛二
2011/日本
/日语

致命录像带94
安娜·霍普金斯,Sean Patrick Dolan,德鲁·维尔戈维尔,达克斯·拉维纳
安娜·霍普金斯,Sean Patrick Dolan,德鲁·维尔戈维尔,达克斯·拉维纳
2021/美国
/英语,印度尼西亚语

茱莉娅的眼睛
贝伦·鲁埃达,路易斯·奥马,巴勃罗·德尔基,茱莉亚·古铁雷兹·卡巴,赫克托耳·克拉拉蒙 ,弗兰塞斯克·奥雷利亚,克拉拉·塞古拉
贝伦·鲁埃达,路易斯·奥马,巴勃罗·德尔基,茱莉亚·古铁雷兹·卡巴,赫克托耳·克拉拉蒙 ,弗兰塞斯克·奥雷利亚,克拉拉·塞古拉
2010/西班牙
/西班牙语

猩猩王
李修贤,伊芙莲嘉,萧瑶,谷峰,袁和平
李修贤,伊芙莲嘉,萧瑶,谷峰,袁和平
1977/香港
/国语

动物僵尸
Ione Butler,安德鲁·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亚伦·格罗本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti
Ione Butler,安德鲁·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亚伦·格罗本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti
2016/美国
/英语

宇宙天魔
玛蒂尔达·梅,史蒂夫·雷尔斯巴克,彼得·弗斯,弗兰克·芬莱
玛蒂尔达·梅,史蒂夫·雷尔斯巴克,彼得·弗斯,弗兰克·芬莱
1985/英国
/英语
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.