
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
直接播放/速度一般/更新一般
倒序↓順序↑

人格抽签
2025/英国
/

蛊蠱
蓝琪,陈佩玲,曹金玲,江霞,张育安,邓玉人
蓝琪,陈佩玲,曹金玲,江霞,张育安,邓玉人
1981/中国台湾
/汉语普通话

哥斯拉对美加洛
川濑裕之,森干太,富田浩太郎,中岛元
川濑裕之,森干太,富田浩太郎,中岛元
1973/日本
/日语

女族长
查莉·布莱克伍德,朱莉·汉南,斯科特·维克斯,艾伦·库斯伯特,碧翁尼·梦露,托伦·弗格森,马丁·墨菲,Kris McDowall,Cameron Fulton,David Friel,Anne Kane Howie,Andrew Kelly,Alex Martin
查莉·布莱克伍德,朱莉·汉南,斯科特·维克斯,艾伦·库斯伯特,碧翁尼·梦露,托伦·弗格森,马丁·墨菲,Kris McDowall,Cameron Fulton,David Friel,Anne Kane Howie,Andrew Kelly,Alex Martin
2018/英国
/英语

异种4
Edy Arellano,Marco Bacuzzi,海伦娜·马特森,
Edy Arellano,Marco Bacuzzi,海伦娜·马特森,
2007/美国
/英语

哗鬼学院
安妮秋,柯瑞·福格尔玛尼斯,Jessi Case
安妮秋,柯瑞·福格尔玛尼斯,Jessi Case
2019/美国
/英语

尸变菌株
杰玛·达兰德,Matt Carriker,Alex Rogers,Hickok45,Tori Nonaka,Robert Forte Shannon III,Alexis Boozer Sterling,Julie Kline,Sara Holden,Jennifer Jelsema,Daniel Jeffries
杰玛·达兰德,Matt Carriker,Alex Rogers,Hickok45,Tori Nonaka,Robert Forte Shannon III,Alexis Boozer Sterling,Julie Kline,Sara Holden,Jennifer Jelsema,Daniel Jeffries
2017/美国
/英语

亚特兰蒂斯 失落的大陆
Sal Ponti,Joyce Taylor,John Dall
Sal Ponti,Joyce Taylor,John Dall
1961/美国
/英语

灾难镇
Josslyn DeCrosta,Erica Rhodes,David Lombard
Josslyn DeCrosta,Erica Rhodes,David Lombard
2008/美国
/英语

灯塔
罗伯特·帕丁森,威廉·达福,瓦莱丽娅·卡拉曼,洛根·霍克斯
罗伯特·帕丁森,威廉·达福,瓦莱丽娅·卡拉曼,洛根·霍克斯
2019/加拿大,美国,巴西
/英语

三:最后接触传染
Ximena del Solar,Chiara Pavoni,菲利普·里奥,马克斯·埃文斯,Rayloren Mata
Ximena del Solar,Chiara Pavoni,菲利普·里奥,马克斯·埃文斯,Rayloren Mata
2020/意大利,智利,德国
/意大利语,西班牙语,

狙踪前度
AJ Bowen,乔·斯万博格,Amy Seimetz,Brandon Carroll
AJ Bowen,乔·斯万博格,Amy Seimetz,Brandon Carroll
2011/美国
/英语
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.